浮游系列Plankton series

• 2025 | 木板、生漆、變塗、鉑金箔、金屬粉、推光鏡面
• lacquer painting / wood board、natural lacquer、changeable coating、platinum leaf、metal powder、polish / based on site-specific space arrangement
• 依現場空間陳設

色域繪畫藝術家馬克・羅斯科（Mark Rothko, 1903–1970）曾說，他畫的是「悲劇、狂喜、死亡」。俄羅斯至上主義畫家卡濟米爾・馬列維奇（Kazimir Malevich, 1879–1935）則以作品《黑色方格》（Black Square, 1915）追求「縮減一切至空無」。透過這兩位藝術家宣言連結，我以漆畫創作單色系繪畫，描繪漂浮的光，黑暗的詩。漆器的黑色擁有一種純然、沉思的禪意，以計畫性的重複堆疊黑漆，磨顯出即興性的痕跡，透過「變塗」技法，層層細節若隱若現，對應虛空中的感知與存在。

Color field painter Mark Rothko (1903–1970) once said that what he painted was "tragedy, ecstasy, and death." Russian Suprematist artist Kazimir Malevich (1879–1935), in his work Black Square (1915), sought to "reduce everything to nothingness."Taking their gaze on existence as my starting point, I create monochrome paintings using lacquer, depicting drifting light and poetry in darkness.The black of lacquerware carries a sense of purity and meditative Zen. Through deliberate repetition, I layer black lacquer, then polish it again and again to reveal traces of spontaneity—marking the flow of time.Employing the hen-nuri ("changeable coating") technique, subtle layers emerge in nuanced shifts, echoing the perception of void and the presence within emptiness.