彼岸花The flower of orther shore

• 2025 | 裝置作品 / 過濾紙、天然漆丶針線丶現成物
• installation art / filter paper, natural lacquer, thread, found objects / 320 x140cm, based on site-specific space arrangement
• 320x140cm，依現場空間陳設

於寶藏巖國際藝術村現地製作作品，這件漆器過濾紙系列是以「色彩」為創作主軸，在東方與西方文化的交會中，使用不同的紅色呼應「島嶼混色」的主題。在膚色、人種、階級、年齡、性別迥異的我們，對於紅色的感受是否相同?血液是紅色。傷痛是紅色。愛，也是紅色。在巨幅單色漆畫中，乾燥後起皺的結晶碎片，如彼岸盛開的花朵，綻放於幽深的色域中。

This Lacquer Filter Paper Series, created on-site at Treasure Hill Artist Village, centers on color as its core language. At the intersection of Eastern and Western cultures, a spectrum of red tones is employed to echo the theme "Formosa MIX". Amid our differences—of skin tone, ethnicity, class, age, and gender—we are prompted to ask: Do we all feel red the same way? Blood is red. Pain is red. Love, too, is red. In these large-scale monochrome lacquer paintings, wrinkled crystal fragments formed through the drying process bloom like flowers from the far shore—unfolding in a deep, meditative field of color.